Eloquent Bruckner at the Heart of Rattle/Berlin at Carnegie Hall. Seen and Heard International, March 2, 2012
The Juilliard Journal
- James and Dinnerstein Release New Song CDs (May 2013)
- A Pair of Violin Virtuosos: Anderegg and Shapira (April 2013)
- Feelings and Dreams: Music by Philip Lasser and Vivian Fung (March 2013)
- Heavenly Harpsichord Music (February 2013)
- A Cornucopia of Chamber Music (December 2012)
- Diamond, Mann, and Mennin: Views of 3 Juilliard Composers (November 2012)
- Beaser and Bolcom Song Cycles; Fleming Unveils French Music (October 2012)
- 2 Piano Faculty Members Show Their Chops (September 2012)
- 2 Groups Bridge the Classical-Pop Divide (May 2012)
- Juilliard Grammy Winners, on CD and DVD (April 2012)
- Keyboard Compendia—Works by Albéniz and Franck (March 2012)
- Illuminating a Dark Corner of History / A Ravishing Recital of French Song (February 2012)
- John Cage: Making Music Out of Everything (December 2011)
- 20th-Century Piano Cornerstones (November 2011)
- Scandinavian Fire and Ice / 65 Years Late, a Symphony Premieres (October 2011)
- Monumental Music (September 2011)
- Complex and Exhilarating: Chamber Works by Wuorinen and Friedman (May 2011)
- Retroactive Schumann / 4 Concertos and a Rhapsody (April 2011)
- Raise the Roof: A Roundup of Recent Recordings by Jazz Studies Alumni (March 2011)
- Earthy Cello, Unearthly Violin: Solo String Soundscapes (February 2011)
- Syncopated Reich / Polished Glass (December 2010)
- Messiaen in Full Organ Glory / Guitara Alla Turca (November 2010)
- The Many Sides of the Soprano Voice (October 2010)
- Handel Keyboard Suites / Joanne Polk Plays Fanny Mendelssohn Hensel (September 2010)
- 3 Vets Offer Stellar Mendelssohn / Images of Brazil (May 2010)
- A (Mostly) Forgotten Composer and Violin Duos, With Grit and Cream (April 2010)
- A Teacher, His Protégé, and 2 Anniversaries (March 2010)
- 2 Composers of Today, Drawing Inspiration From the Past (February 2010)
- Nods to the Past, in Song and on the Ivories (December 2009)
- New Take on an Old Form / A Viola Love Fest (November 2009)
- The Yin and Yang of Modern Chinese Music (October 2009)
- Schubert Sonatas and Ecologically Sound Pianism (September 2009)
- Not Your Grandmother's Chamber Music (May 2009)
- 2 String Mavericks Mix Classical With Pop and Jazz (April 2009)
- Scaling Bach's Olympus, Key by Key (March 2009)
- Modern Trios and Romantic Duos (February 2009)
- That Prodigal Son of Bach Strikes Again / A Jazz Pianist's Tomorrows (December 2008)
- Monumental Beethoven / Piano Arcana (November 2008)
- Parables and Passions: Music of Schoenfield and Tsontakis (October 2008)
- C.P.E. Bach and Martinu: Two Paths to the Cello Sonata (September 2008)
- Ragtime Riches / A Copasetic Jazz Gathering (May 2008)
- Electronic Duets That Dazzle / Brahms, In His Autumnal Glory (April 2008)
- Piano, Piano, and More Piano (March 2008)
- Juilliard on Three Continents (February 2008)
- Carter, the (Almost) Centenarian (December 2007)
- From Russia—And America—With Love (November 2007)
- Beethoven for 2, 3, and 4 (October 2007)
- The Recorded Legacy of Beverly Sills (September 2007)
Blogs
- A Spiral Cage
- Alex Ross: The Rest Is Noise
- An Unamplified Voice
- Andrew Patner: The View from Here
- anearful (Jeremy Shatan)
- Arts Queensland Poet in Residence (Emily XYZ)
- aworks :: "new" american classical music (Robert Gable)
- Blognoggle (Top 100 Classical Music Blogs)
- boulezian (Mark Berry)
- Brian sacawa | sounds like now
- CJM Sounds (Chris McIntyre)
- Classical - Iconoclast (Anne Ozorio)
- Classical Life (Tim Mangan)
- Classical Music Blogs Pagecast (Chris Foley)
- Classical Review
- Cornucopia of Beautiful Things Blog (Dorothy Pfeiffer)
- Counter Critic
- Daniel Stephen Johnson
- Darcy James Argue's Secret Society
- Deceptively Simple (Marc Geelhoed)
- different waters
- Dolce and Gomorrah (Whit Bernard)
- Fantastical melancholy of the musical wren
- Feast Of Music (Pete Matthews)
- Felis pushkini (Clayton G. Koonce)
- Felsenmusick (Daniel Felsenfeld)
- File Under? - music transcends categorization (Christian Carey)
- Goings On: The New Yorker (Russell Platt)
- Hauptwerk (José Pedro Magalhães)
- henningmusick (Karl Henning)
- Histriomastix (David Cote)
- inconstant sol
- Inspirations (Derek Bermel)
- Ionarts
- Iron Tongue of Midnight (Lisa Hirsch)
- Jacob Greenberg
- Jessica Duchen's classical music blog
- KKNY (Karissa Krenz)
- Liberated Dissonance (Joe Barron)
- Mass Culture Mozart (Olivia M. Giovetti)
- Mind the Gap (Molly Sheridan)
- Music As Weapon? (David T. Little)
- Musical Perceptions (Scott Spiegelberg)
- Night After Night (Steve Smith)
- On An Overgrown Path
- Opera and Concert Reviews (Nigel Wilkinson)
- Opera Chic
- otherbirds (Sam Tarakajian)
- Out West Arts
- Pellegrina's Notebook (Barbara Maria Rathbone)
- Prufrock's Dilemma (Susan Scheid)
- Pulse
- Renewable Music (Daniel Wolf)
- Robert Paterson’s Blog
- San Francisco Classical Voice
- Seated Ovation (Will Robin)
- Sequenza21/The Contemporary Classical Music Weekly
- Ennis Smith
- So I've Heard (Alan Rich)
- Soho the Dog (Matthew Guerrieri)
- Sounds Like New (Marcus Maroney)
- Superfluities Redux (George Hunka)
- Synaphaï: Gene Gaudette's Blog
- The Big City (George Grella)
- The Classical Beat (Anne Midgette)
- The Detritus Review
- The Mirror and the Lamp (Mike Brook)
- The Omniscient Mussel
- The Penitent Wagnerite (Patrick J. Smith)
- The Rambler (Tim Rutherford-Johnson)
- the second sound (C. Dalton)
- The Standing Room (Sidney Chen)
- Theater of Found Sounds (Marc Chan)
- think denk (Jeremy Denk)
- Tonic Blotter
- Unquiet Thoughts (Alex Ross)
- well-weathered music (Miguel Frasconi)
- What I Learned From Aristotle
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March 02, 2012
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Exquisite review. I was particularly gratified to read a review of the concert featuring Debussy, Schoenberg, Dvorak, and Elgar that spoke to the merits, rather than dismissing these pieces as "chestnuts," as others have done. I would have liked so much to be there, but it had long been sold out. What you capture so marvelously here is why that was so. Thank you for giving those of us who couldn't be there a glimpse of how wonderful it must have been to attend.
Posted by: Susan Scheid | March 27, 2012 at 08:51 PM
And I, in turn, thank *you* for the feedback, and for affirming one of the reasons I write about music in the first place. It's important to transmit the experience; ideally someone will write or walk up and say, "Man, wish I'd been able to make that one."
Posted by: bhodgesnyc | March 29, 2012 at 03:33 PM