There are those who profess a certain wariness of Anton Bruckner's symphonies—for both their length and repetitive motifs. Others, like me, find an otherworldly ecstasy in his canvases, and one way of looking at Bruckner is as a "proto-minimalist," a view apparently shared by conductor Franz Welser-Möst. On Wednesday, as part of this year's Lincoln Center Festival, he and the Cleveland Orchestra begin Bruckner: (R)evolution, four nights with Symphonies 5, 7, 8 and 9, and all but the massive Eighth paired with a work by John Adams. The Fifth will follow Adams's Guide to Strange Places; Leila Josefowicz will be the soloist in his Violin Concerto, preceding the Seventh; and on Sunday, the Doctor Atomic Symphony will be the companion for the powerful Ninth.
The conductor and orchestra have also released DVDs of the same Bruckner works, recorded in Severance Hall (7 and 8), Vienna's Musikverein (9) and the Abbey of St. Florian (5) where the composer is buried. Coincidentally, Welser-Möst has been chosen to receive the 2011 Julio Kilenyi Medal of Honor from the Bruckner Society of America, and will receive the award at Lincoln Center following the dress rehearsal on July 13. The maestro is in heady company; the medal's first recipients (in 1933) were Arturo Toscanini, Serge Koussevitsky and Bruno Walter.