Ligeti's Le Grand Macabre requires four percussionists. Here is what they play:
Xylophone, vibraphones, mechanical car horns, music boxes, electric door bells, tambourine, military drum, tom-toms, bass drums, triangle, suspended cymbals, rins (Japanese temple bells), tam-tams, maracas, guiros, ratchets, whips, wood blocks, claves, castanets, temple blocks, slide whistle, police whistle, cuckoo whistle, lion's roar, sheets of rustling paper, sandpaper blocks, orchestra bells, marimbaphone, snare drum, bongos, conga, tenor drum, crotales, cymbals, tubular bells, large wooden hammers, wooden slats, signal whistle, sirens, flexatones, duck quacks, large alarm clock, large metronome, tissue paper or newspaper, parade drum, gong, wood (log) drum, siren whistle, steamship whistle, wind machine, pistol, paper bag, tray of crockery, and kitchen pot.
[From the New York Philharmonic program notes for Ligeti's "Le Grand Macabre" (1974-77, rev. 1996) by James M. Keller]